mutiny makes its debut on ovum recordings with two dance floor monsters. longtime friends, this collaboration seemed destined to eventually happen. they have been quiet for a while but the boys are back with a fresh sound! on the a side we have the title track >swimming with sharks<, an eerie and mysterious rolling tech house monster. this track is made for a big system and will drive the floor nuts. on the b side we have >you didnt want to<, which is another peak time monster. with its underlying vocal, this track builds with swinging drums and great use of effects. two incredible peak time tracks that should be in your sets through the summer

equinox records celebrates its 25th release with a deluxe limited edition box set. containing a 7inch, the main part of the beautiful collectors box is a 50-minute audio cassette (yes, a real tape!) featuring two incredible equinox megamixes by buddy peace and phonatic.

its a spring thing. second strike from the hamburg city mafia brothers duo. after the great reactions of their last releases our buddys turn back with two spring prime time jackin tracks for your mood! early support comes from luciano, sven vaeth, karotte, dop, steve bug and more.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut album it will be released on cd and vinyl). early plays by:luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..

secret weaponry of robert johnsons finest: thomas hammann & gerd janson! yo! this is deepest underground quality. welcome this label to its appearance in earths music world. it comes straight from the middle of the earth. it is very hot down there in town so the few people from the earths core enjoy listening to the coolest sound around.

with a number of tracks already under his belt in 2011, including a remix of vector lovers on soma records, andreas returns to ideal audio with his latest work, >tenses<. the title track is a combination of bubbling synths and abrasive strings, yet these are kept at bay by the tracks innate underlying deepness. on the remix, another ideal artist - sebrok - keeps thing deep. his relentless beats are consistant throughout as he builds a frantic synth to its peak, before falling away into those beats once again.

hh3 is a techno masterpiece by top notch producer bill youngman. its futuristic and cold. massive dark drones and ambience build up its very unique atmosphere. for their remix of hh3, techno shooting stars sandwell district added some industrial flavor. imagine a steel worm drilling its way into the dancers souls and you almost got it. the last track of the ep entitled trilogy, shows another totally different side of bill: electronica thatís been made to tear your heart apart. wicked!

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

its now hard to imagine a summer that wont be sound tracked by hot natureds sleazy intergalactic funk and distinct bassline brilliance so its lucky the boys are back with forward motion – their first release for own imprint hot creations and dancefloor gold in the purest sense. disco delinquent ali love provides lead vocals

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

the opening track from the debut simon baker album was always going to be a strong choice to be the first single. no pressure has received unanimous praise since the albums release and is back with new remixes by art department and simon himself. its rare to get great stand out vocal tracks that dont split opinion, but this seems to be one of them. its slick, deep house of the highest calibre with a stand out hooky vocal from debukas. art department, owners of ras number one track of 2010 drop a superb remix, adding new vocals and teasing debukas back into the mix for a pretty special, hypnotic workout. simons >upstate dub< mix finishes things off. it aims things directly at the dancefloor in his signature, deep and twisting style.

amazing 60s soul gospel album from jamaicas legendary grace thrillers. new old stock, a true collectors piece! like a crate-digger reissue on numero or l.i.t.a., these 10 spectacular cuts range from vintage muscle shoals soul sounds to staples singers style chicago gospel.

with its intriguing melodies, strings and piano orchestration, >silk city< has got modern classic written all over it. nathalie is a jazz singer and the tone of her voice reminds of telepopmusiks >love can damage your health<. fred everything once again steps up to the remixes with a straight forward modern house production and a dub that brings back early influences of mauritzio and mood 2 swing. hope you enjoy the release as much as we do.

.. strictly limited.. so its better to be quick

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

poker flat welcomes new artist show-b to the ranks! mathias schober is the talent behind this new and exciting production project - having already released on the respected compost black label - and now announces a whole new batch of funk laden, truly deep electronic jams. >far down< is a swirling and all-encompassing tech-house journey. characterized by pitching synths and focused percussion, the building track really ignites as its slow burning themes come to the fore and a remarkable moment is created. the technical and dubbed-out >time comes< is a superb example of a modern electronic hybrid. crossing heavy dub stabs and delay-washed fx with thick, room filling synths and exceptional detailing, this inventive and textural track is pure home-grown and highly recommended! a dub version is also included which focuses on show-bs stylish drum fills and great feel for tension in the arrangement

when delorean toured with teengirl fantasy last spring they told us about a song that had really blown them away. when they shared it with us we understood why. it was called >cheaters< and sounded like an instant classic. very different to the trademark psychedelic jams of the duo, the song was homage to classic chicago house from a modern perspective. built around layers of blissful synths and borrowing the vocals of first committees >cheaters never win<, it had that kind of energy that we sometimes miss in contemporary dance music. later that summer, john talabot visited new york and became aware that the track was going to be released by true panther sounds only as part of the album >7am<. something sparked inside us. we felt it was not fair that such an incredible track had to share its vinyls grooves with other songs so we thought it would be nice to dedicate a full maxi side to it.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

there is always an air of excitement in the office when the new dissonant drops with us. it may only be on its third release but marc antonas wonderfully fresh new imprint is making waves, and for all the right reasons. theres no relentless pr entertaining, popular genre chasing or laptop-loving >live< collectives here. no fuss, no bluster, just incredible music.

freaky vibes is an independent records label based in valencia,established by vincenzo fracchiolla aka groovik march 2010. he defines itas a label with an innovative and distinctive sound. after years travelingaround the europe and expanding his knowledge of the varioussoundscapes groovik opens his label with the intent to propose to themusical market innovative and researched sounds. freaky vibesencourages new talents presenting them on the world wide music scene.the main intent of the label is to give freedom of expression to its artist,not forcing them to follow the usual standard of a music genre. freakyvibes is label focused on the musical experimentation.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

soweso 009 bring us one of rumanians upcoming house-masters negru. after his amazing contribution to the soweso various artists ep last year its time for him to do his own release. on the a-side >break into the record store< is a typical negru hip hop infused house track that will surely make things bump in the night. on remix duties is pacha resident tuccillo that has brought us some of the best house tracks of last year on the isgud label. on the b-side negru teams up with his buddy boola for a jazzy house groover that begs for spring to start. welcome to the family negru! enjoy it and play it loud.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

time 2 express is on a roll! sqeezing out harsh yet hypnotic techno of the highest order. the 4th instalment in the 61 center returning series is an all belgo-italian affair. as on vol. 3 the a side is taken up by peter van hoesen and donato dozzy. with >dock< they present a dense, psychedelic track: bubbling percussion works its way through swirls of oscillating soundscapes. >dock< envelops the listener in a thick, gentle blanket, slowly increasing the pressure as the track unfolds over 9 minutes. on the b-side stroboscopic artefacts main brain lucy reports for remix duty. >defense against the self> was originally released on peter van hoesens >entropic city< album. lucy provides the track with a solid dose of steroids, injecting cavernous kicks and bleeps. his version widens the impact of the original, while adding his very own personal take on techno. viva italia...

and we continue the album package with the second part of his debut album called >durch und durch<! he has already made his name in the music biz with his releases on afulab like bango banger, bam bam bam, abfahrt ep and numerous others, but always delivers his most advanced and progressive productions on his motherlabel afulab.
the first 12 inch contains four tracks in his unique peak-time style, dancefloor fillers for sure, that has found its way into the cases of many big and diverse names like richie hawtin, 2000 and one, butch, stephan bodzin, mihalis safras (felix is one of the hottest producers!), also. this is his first long player that will be released as three coloured 12 inches and the third will include the cover to fit the three maxis and the album cd with extra tracks ! this package will surely be a nice collectors item and a classic in the everlasting felix bernhardt series.

supported by luciano, douglas greed, gorge, the glitz, mihalis safras, kombinat100. spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and open-minded approach to electronic dance music on his debut album. the first track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and fluffy manner. the lively hustle and bustle on the hidden playground happens in many different ways: sometimes it s the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

the definitive soulful house track of 2010, crazy by black coffee featuring thiwe, reaches the final stage in its constant evolution, progression and reinterpretation within the house world. crazy, which topped the traxsource singles charts for 2010, received the accolades and praise of the house world’,s most revered names for its unadulterated and soulful passion. black coffee, the master behind crazy, is the most notable name in south african house music, and is one of the most imperative and admired names within the house world. recently completing a 60 hour charitable dj set, and a with constant culturally minded output, black coffee’,s fiercely passionate and ambitious musical ethos is venerated worldwide.

primitive rockabilly in its purest from from jimmy sysum and the rockin three from california. discovered in the blue moon label vaults in santa clara, this unreleased demo is his only ever recording. only a handful of acetates have ever surfaced from these 1950s sessions, exchanging hands for vast sums with collectors. dj support from keb darge, andrew weatherall & mark lamarr.

as the world ushered in 2011, motech records celebrated 10 years on the world electronic music scene. like any organization that stands the test of time, motech has watched trends come and go, all the while maintaining its quality output of material from artists around the globe. motech records has moved forward by returning to the sound of its inception, unabashed detroit techno.

alex kork, founder of 9volt presents 4 great minimal-techno tracks on plattenbau-music. alex also released on relax. he did his first steps producing electronic music already in his youth. experiments with self-made oscillators, noise generators, synthesizers and sequencers he was always in searching for new sounds. as techno found the way in his hometown in the early 90s he was flashed by the new sound. as hydro he played on a lot of events and also he organised own parties. since founding the cannibal cooking club together with error in 1999 they play as liveact in the clubs. the own label for their crazy and unique sound was born in 2003. his label 9volt-musik was founded in 2006. focussed on the sound he likes, its a platform for his own productions and friends.

for the inaugural release on the newly formed lo:rise imprint, jedi knight tom middleton brings us a tribal, percussive workout that centres around the infectiously groovy clicks and whistles of its onomatopoeic title. the original should be enough to make any djs mouth water, and with an eerily deep and stylishly bouncy remix coming in from girl of the moment maya jane coles, the package in its entirety is almost frighteningly good. frequent reports have been flying in of this destroying dancefloors from cable to fabric and beyond. both the original and maya mixes have been charted numerous times and full support has come from dyed soundorom, guti, d julz, tony humphries, nick holder, roska and alex cellar to name a small few!

the miracles club is a group from portland, oregon featuring members rafael fauria, honey owens and ryan boyle. fusing elements classic chicago acid house, world music, experimental pop and contemporary dance. they have been adding a new and vibrant energy to the west coast us club scene over the last 12 months. cutters records brings us the >light of love remixes< ep which has all the makings of a mid 80s house party except on the dance floor is a giant cosmic rug to float you through space and time. >light of love< is the psychedelic piano house jam from the deepest depths of a dank dark rave cave and cut copy have reworked it into an entrancing dancefloor gem. also included is a dubbed out house mix by new yorks ever-consistent neurotic drum band. and dont sleep, because on the flip miracles club journey into classic 909 house with two versions of their jam >so hot<. it feels like the second coming of jack, but believe… its the rise of a new dawn!

early support by luciano, nick curly, matthias tanzmann, dop, steve bug, tini, karotte and more. its a spring thing... baalsaal lightens it up a little with this one cause the sun is out! mr lattner again and da fuse god from london enzo siragusa team up for the a-side with such a positively creative and fresh example. on the flip subterranean kraut patlac takes it from here with a deep explorer to find moby dick

thirteen might be an unlucky number for some but for culprit it is quite the opposite. the labels thirteenth release >candy< from lee curtiss, is its biggest and most unashamedly dance floor oriented release to date. a watershed record for the young label, >candy< is the special type of track that reaches out and grabs you immediately upon hearing it. so it proved for culprit founder andrei osyka of droog, who, upon hearing matt tolfrey play it at visionquests famed old miami party at demf, knew it must be a culprit release, and promptly went out and signed it

this killer ep from samuel dan starts as it means to go on with the massive sample loops, and has been custom-made to keep those hands in the air. an infectious, bouncing bassline ebbs and flows through the track, while the tight percussion will keep those feet pounding the floor. octad and phiorio take the controls for the third track. their remix of wake up call is stripped down and funked up. like a prime larry levan cut, funk, disco and house collide but without the mix ever becoming cluttered. the elements are used sparingly and to devastating effect. last but not lease we get samuels original mix in which the brass instruments take centre stage, with trumpets heralding deep bass grooves. they are going to be rocking this one down in the treme. bring on the summer! to finish off this ep in style, heres the floor-filling back home. its immense builds and eminently catchy hooks are guaranteed to spread smiles across the dancefloor like a disease.

two tracks that spit in the face of all those harmless, flat and cheesy >we want to be played by everybody< productions and its of course alex who takes the risk. supersonic flattens down everything with an incredible bassy basis which even almost sucks the bassdrum. classic techno and a sure shot on every technoset. centerangle on the flip is kind of slowed down and much more adventurious compared to supersonic. the breaks and the startup after them are causing riots in alexs sets right now the crispy, powerful production of this tune is nothing else as another example of alex trademark: techno in its basic sense!

having opened 2011 with the splendid debut by young and talented ana helder from rosario (argentina), comeme is back with its third release this year and is as usual a display of unpindownable style that demonstrates once again these musicians have a firm understanding of rhythms and dancing and, most of all, want to communicate to very different people and not just to a certain musical context. chilean pop is a true special ep that digs up comemes connections in santiago de chile and sees some of the most beloved artists of the label remixing a couple of bands from the current and awfully exciting underground chilean pop music scene, a real breeding ground of young music talents at the moment.

the dazzling maiden release for futureboogie recordings comes from one of its creators, julio bashmore, an artist who represents a vividly bright and unshackled future for uk electronic music. fusing a classic soulful house sound with a hint of chi-town and future garage, >father father<, is a welcome introduction.
an instant classic thats full of warmth, >father father< wont fail to capture the heart of those that experience the piercing originality at the centre of its modern soul. from its soaring melodic chords, spacious percussion and crisp hi-hats to the silky vocal talents of fellow bristolian javeon mccarthy that lift >father father< to anthemic heights, the title track is a enraptured sonic treat.

part 1 of a series of remixes for technasias 2010 acclaimed album >central<, starting with techno in its purest form from the master himself, jerome sydenham, on the a, and two groovy techno remixes by technasia on the b.

ryo murakami, labelowner of panrecords releases a new 4 track ep that contains a remix of lunch of god by stereociti (mojuba /from tokyo) which has a deeply atmosphere. next track is very deep and has slowly beats its a very dub track from start to end. the last track has a synth phrase and some voice left to the head is impressive.

maetriks cocoon debut >snorkel< on the 7th edition of the 10 inch series belongs without doubt to the most successful tracks of the past year and is an essential track in the clubs since then, thanks to its matchless mixture of powerful deep house and noise. eric estornel aka maetrik is, however, definitely not a newcomer. with a large number of releases on such prestigious labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform, the texan-born and now resident of valencia has proven to be one of the most reliable protagonists at the interface between straight dark house, dub and funky techno. estornels aim was to stick to this recipe when he made his his first cocoon solo maxi: >crush on me< and >push< are two absolute masterpieces and are representative for estornels unique style, using hallucinogenic vocals, hypnotic beats and a power that is deep and latently noisy at the same time to put the dancefloor over the edge of insanity. with his third album >life index<, released on the london-based label crosstown rebels, and with other releases on guy gerbers supplement facts platform and on get physical, this spring seems to be totally under estornels sign

cadenzas latest offering comes from swiss german duo laurent bovey & gregory poncet, more commonly known as digitaline. firm family within cadenzas realm of artists, digitalines latest >up and down my spine< ep is their fourth contribution to the increasingly impressive cadenza catalogue of experimental and meticulously produced electronic soundscapes. deep and chugging grooves, atmospheric spheres and industrial synth patterns are digitalines forté. up and down my spine is no exception to their uncompromising rule. a-side africa makes its grand entrance with a deliriously deep bass line belting from underneath its hazy atmosphere and pouncing crisply into cutting hi-hats and sweeping snares. the jerky rhythmic groove is determined from its first steps and contrasts impeccably with the sensual and stripped down vocal from diaraby nene by oumou sangaré. trickling over the top of a fierce and bouncing violin melody, the listener is catapulted into a woven cultural journey. africa is an encapsulating house track thats plethora of influences and appeal span worldwide. on the flip, the duos >shivers< is percussive and a clear companion for its counterpart, >africa<. made to sit effortlessly together, the same potion of heavy kicks, tribal essences and impeccable arrangement follow from one side to the other, coaxing our minds and bodies into digitalines intricate musical world

still going is the combination of two nyc dance music leaders eric dunks & duncan of rub & tug and olivier spencer of manthraxx and mr. negative. even before its release, >still going theme< has been hailed by many top djs around the world and has been featured in prins thomas essential mix for the bbc?s radio 1. the track will soon be featured on the upcoming force of nature mix on mule musiq, as well as james murphy and pat mahoneys (lcd soundsystem) fabric live mix.

after the emotive release of rick howard, its time for hhyr to step it up a notch again with fellow chicagoian ricardo miranda, who already gave us >black acid< last year and also was featured on rick wilhites >vibes< compilation. <br (/>>floorwax< urges us to do the damn thing, assuming that he leaves us no choice but to slam dance to this hypnotic acid work out, which reminds us slighly of earlier dj funk material. >redline< further explores the boundaries of acid house originale. it starts out with just drums and a pulsating acid line, but halfway through a utopian string line eases in and shows us the way to the promised land. keep your heads up and dance to the music.
classic chicago house!

for his latest musical offering kupper offers up two versions of the superb >bloom< a deep and melodic slice of underground house. warm filtered keys, rich bass, percussive riffs and old school drums come together to create a compelling piece of house with a laid back vibe on the original. the >jazz mix< follows the lines of the original version with the addition of some perfectly placed jazz guitar parts to lend a further musical note. wave music is well known for its eclectic musical output, ranging from tough techno, to quality electronica and underground house. with this latest release with eric kupper they have proved once again that whatever they do put out, its always of the highest quality.

repress

coefficient is an english artist with so much experience now, thanks to releases on labrynth and beyond. in this record he shows 2 original tracks and a remix of his strong friend michaelangelo. he shows his skill in creating the techno cleanly, hypnotic and with no compromise.its a journey straight on his way. you can hear a lot of the influences of detroit (see robert hood and jeff mills), but his style is certainly unique. the remix of michaelangelo completes all the release with an even more dark and hypnotic style - but mostly clean. welcome to another trip high quality signed mrec ltd!